Fingernails Movie Review- Jessie Buckley and Riz Ahmed’s Chemistry Struggles in Bare Threads of Love

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In this film, love becomes quantifiable in a near-future twist. Eccentric tests, including the bizarre removal of a fingernail, unfold under Christos Nikou's Greek conceptual deadpan, echoing Black Mirror's intrigue. Jessie Buckley and Riz Ahmed charm, but a logical leap is needed for the psychological premise. Despite lacking surprises, their seriousness and implicit societal exploration make it engaging, ending with a chilling reflection on our readiness for answers, even from false prophets.

EXPECTATION

Anticipation is high to witness director Christos Nikou’s evolution post “Apples.” Curious to see how he navigates the narrative landscape, intrigued by the prospect of a level-up in storytelling and cinematic prowess.

ENJOYMENT

While the actors deliver commendable performances, the film relies excessively on their prowess, leaving the narrative lacking. Enjoyment is tempered by the overshadowing of a potentially strong storyline by the weight of the cast’s excellence.

REALITY

In hindsight, Christos Nikou’s English-language debut, while a soulful riff on the cynical Black Mirror formula, aims for a sadistically comical take on relationship insecurity. However, it falls short, ultimately saying little of substance.

In this film, we find ourselves immersed in a near future that eerily resembles our present—unchanged fashion, familiar tunes, and the same dreadful taste of late-night deli soup. However, a significant shift has occurred: love is now quantifiable, transformed into an algorithm that promises to determine the longevity of romantic connections. The method involves a peculiar test, where couples undergo a series of eccentric assessments, leading to the forced extraction of a fingernail, subsequently microwaved to reveal a compatibility percentage. The outcome either awards a certificate of love or bids farewell to the relationship.

Christos Nikou, following his well-received 2020 film “Apples,” injects a touch of Greek “weird wave” conceptual deadpan into this softly-spoken, sci-fi-tinged narrative. Resonating with the vibe of a compelling episode from Netflix’s Black Mirror series, the film unfolds as a mostly office-bound drama sprinkled with romance and humor. The on-screen chemistry between the leads, Jessie Buckley and Riz Ahmed, adds depth and charm to the narrative.

The film’s psychological premise demands a leap of logic, challenging viewers to accept that the complex emotion of love has been scientifically dissected, resembling the simplicity of a Covid lateral flow test. The narrative suggests a societal seriousness towards this love test, a notion that may seem strange and somewhat cynical. Yet, the film delves deeper into the insecurity it instills in couples, grappling with the need to validate their romantic endeavors. Perhaps, at its core, it is more a reflection of our fear of mortality than a celebration of love.

Nikkou adheres to self-imposed constraints, staying close to the everyday portrayal of being “in love” between Buckley’s Anna and her life partner, Ryan, portrayed by Jeremy Allen White. The narrative introduces tension when Anna, working at the love institute overseen by Luke Wilson’s new age character, Duncan, develops feelings for her witty co-worker Amir (Ahmed).

While the storyline lacks surprise, both in the absurdity of the tests and the inevitable connection between Anna and Amir, the actors lend a sense of seriousness that keeps the film engaging. The true fascination lies in the implicit subtexts, exploring human neediness and our constant quest for a god-like figure to unravel life’s enigmatic questions. The film’s chilling conclusion effectively highlights our willingness to embrace answers, even when delivered by a false prophet.

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EXPECTATION

Anticipation is high to witness director Christos Nikou’s evolution post “Apples.” Curious to see how he navigates the narrative landscape, intrigued by the prospect of a level-up in storytelling and cinematic prowess.

ENJOYMENT

While the actors deliver commendable performances, the film relies excessively on their prowess, leaving the narrative lacking. Enjoyment is tempered by the overshadowing of a potentially strong storyline by the weight of the cast’s excellence.

REALITY

In hindsight, Christos Nikou’s English-language debut, while a soulful riff on the cynical Black Mirror formula, aims for a sadistically comical take on relationship insecurity. However, it falls short, ultimately saying little of substance.

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