Strange Way Of Life review – Almodóvar’s Queer Western: A Dreamlike Cinematic Trifecta

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"Pedro Almodóvar's 'Strange Way of Life' artfully unfolds in a sleepy American border town, blending romance and tension. The chemistry between Hawke and Pascal is palpable, while the costumes and cinematography, curated by Saint Laurent and Almodóvar's team, elevate the narrative. Despite its brevity, the film leaves an indelible mark, beckoning for a more extended exploration of Silva and Jake's captivating story."

EXPECTATION

“Almodóvar’s queer western is a dream—impeccable filmmaking, Iglesias’ musical mastery, and a Morricone-esque finale. Three words that encapsulate a cinematic reverie, blending menace and melodrama seamlessly.”

ENJOYMENT

“Pure enjoyment: Almodóvar delivers sweet, subtle cinematic magic with innate style. A brief yet delightful experience that lingers, leaving an imprint of his storytelling finesse.”

REALITY

“Reflecting on the short film, we yearn for more. A cinematic prayer for a feature-length version, as Almodóvar’s brilliance hints at a story deserving of a grander canvas.”

“Strange Way of Life,” Pedro Almodóvar’s 30-minute short film, weaves a poignant tale set against the backdrop of a sleepy American border town. The title, a nod to Portuguese fado singer Amália Rodrigues’ ‘Estranha Forma de Vida,’ sets the tone for the film, revolving around a balladeer played by Manu Rios and the return of gunslinger Silva, portrayed by Pedro Pascal.

The narrative unfolds as Silva’s return after 25 years catches the attention of Jake, played by Ethan Hawke, now the sheriff of the town. The reunion between Silva and Jake sparks a mix of emotions—excitement, affection, confusion, and suspicion. Almodóvar, playfully suggesting a response to “Brokeback Mountain,” crafts a romantic western with a distinctive tenderness.

The chemistry between Hawke and Pascal is palpable, portraying a lifetime of longing in a short span. A lush flashback to their shared past in Mexico adds depth to their connection. While Almodóvar’s film contrasts with the sharp edges of “Brokeback Mountain,” it embraces a tender exploration of love, loyalty, and the passage of time.

Anthony Vaccarello, head designer at Saint Laurent and co-producer of the film, seamlessly integrates his role as an executive producer and costume designer. Despite being a collaboration with a fashion house, the film avoids feeling like a mere promotional piece. The costumes, especially Pascal’s worn green jacket, blend seamlessly with the period setting, showcasing the meticulous consideration characteristic of Almodóvar’s works.

Cinematographer José Luis Alcaine captures the arid landscape with brown rocks and blue skies, making Silva and Jake stand out as if their solace lies solely in each other. The film’s only flaw lies in its brevity; the world created by Almodóvar is one that audiences could easily inhabit for a more extended period. As the film concludes, it leaves the audience yearning for more, having only scratched the surface of Silva and Jake’s captivating story.

“Strange Way of Life” proves that Almodóvar’s mastery extends seamlessly to the short film format. The collaboration between the acclaimed director, talented actors, and Saint Laurent results in a visually stunning and emotionally resonant piece that transcends its promotional origins.

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EXPECTATION

“Almodóvar’s queer western is a dream—impeccable filmmaking, Iglesias’ musical mastery, and a Morricone-esque finale. Three words that encapsulate a cinematic reverie, blending menace and melodrama seamlessly.”

ENJOYMENT

“Pure enjoyment: Almodóvar delivers sweet, subtle cinematic magic with innate style. A brief yet delightful experience that lingers, leaving an imprint of his storytelling finesse.”

REALITY

“Reflecting on the short film, we yearn for more. A cinematic prayer for a feature-length version, as Almodóvar’s brilliance hints at a story deserving of a grander canvas.”

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